Olympia Dumpster Divers blog was originally started in July 2006 as a way to document Ruby Re-Usable’s HERE TODAY temporary art installation, although lately it seems like all Marita Dingus all the time, but I am sure you don’t mind, because Marita is so inspiring in the fearless way she recombines a myriad of recycled materials to create figures that resonate with cultural, historical, political and environmental issues. So this month, we will be posting about Marita once again.
Marita Dingus’ show “The Gathering” is at Traver Gallery, March 2- April 1, 2017 (more pics HEREand HERE).
“In her mixed media figurative sculptures, Dingus, to communicate her narratives, uses almost exclusively, recovered and found material as the medium for her sculptures, creating harmonious results from shattered pieces and discarded materials.
In her exhibition, Marita Dingus commemorates how humans continue to call upon the spirit world for help and guidance in conducting their affairs, especially in times of elevated threat and uncertainty. This show is inspired by Marita’s love of the nkondi sculptures of the Kongo people, which were used as spiritual enforcers of conflict resolutions. The Gathering represents the duality of people seeking spiritual support outside themselves when in fact the spiritual strength comes from within. Gathering is also a process of passing along to the next generation the skill to draw upon our inner strengths.” via Traver Gallery
This past Saturday Marita invited me to hang out with her and Lynn Di Nino at their wearable art sale at Dan Fear’s art studio in Tacoma, so I brought along my Singer 201k hand crank sewing machine for Marita to try out — she has several electric Singer 201 sewing machines and was skeptical about hand cranks, but was so impressed by the smoothness of the crank, the well-designed case, the portability and the practicality of it (when the power goes out, as it tends to do here in our part of the Pacific Northwest, a hand crank &/or a treadle is a useful sewing machine to have) — she totally fell in love with it and wants one now!
ps Marita introduced me to the glue gun back in 1986; more recently she is one of the people who has sparked my passion for vintage sewing machines.
Oh, my, it has been way too long since your trashy friend Ruby Re-Usable has posted anything, not really sure why anymore, but, well, here I am now, ready to start blogging again.
So what have I been up to since the ODD Trash Menagerie entry back in June 2016? Hmmm, perhaps posting on Ruby Re-Usable’s Facebook artist page or sometimes lost in the rabbit holes of Pinterest and Instagram. Let’s see, there was the Vintage Sewing Machine event that I organized for the Lacey Library in September 2016, with a dozen old & antique sewing machines for the public to see and try sewing with (including hand-cranks and a treadle), and another Day of the Dead workshop for Nova Middle School in October, as well as coordinating the 14th annual Duck the Malls Crafts and Art sale benefit for the Olympia Film Society in December. Spent 2 weeks visiting family & friends in New Jersey and New England in July (which is better and worse than it sounds) and 2 weeks on the Big Island of Hawaii in December (which is as delicious and fragrant and fun as you imagine). My whole website went down this summer and it took awhile to get back up, and there was the hot water heater fiasco that flooded the basement and created a remodeling project that meant moving around and letting go of a lot of art and art supplies and some sentimental stuff, which took a toll on my creative psyche.
Also, truth be told, acquisition syndrome also took hold, so there has been too much time spent thrift store shopping and searching online for various vintage sewing machines that suddenly seemed so alluring and necessary for the projects that never really materialized because anxiety over things beyond my control metastasized from an ennui into an artistic depression that felt/feels overwhelming.
I did, however, manage to use my herdhoard modest collection of vintage sewing machines for a functional recycled art project: a crazy quilt patchwork duvet cover made from an unwanted aloha shirt via Second-hand Sid, plus fabric scraps from friends and some new material purchased at the local quilting store. My progress is documented on my Ruby Re-Usable flickr, but here are some of the highlights:
Well, that is it for this month, hope to post more this year, wish me luck! Oh, and Happy Year of the Rooster!!
Well, the year of sewing projects is off to a slow start; here it is, the end of January, and the only project that I have completed is a small quilted box, made from fabric scraps that I dyed and printed back when I was an art student thirty years ago. It is pictured here on the left, along with the Singer 212 “Featherweight” sewing machine that it was made on. Do you see that cute little “Project Runway” pincushion in the foreground? Our friend Tossa deTrash gave it to me a few years ago, and I thought it was adorable then but now I find it extra fabulous because I finally appreciated that it is a vintage Singer sewing machine (66 or 99 or ??).
So I have reusing, rediscovering, and vintage sewing machines on my mind:
Jennifer Collier explores the ‘remaking’ of household objects by stitching found and recycled papers. Welcome to her fantastical world, where every exquisite detail is made, folded and manipulated from paper. Once books, maps, envelopes, wallpaper or scrap, the paper is transformed into textural forms. Like cloth it is stitched to construct two or three dimensional objects, decorative and functional: lampshades, cameras, tools and furniture.
In dissecting and rebuilding 1865 to 1950 Singer and other-vintage-brands Sewing Machines made of embellished cast iron or colorful metal pieces, Nado pays homage to feminism in the working class. Seamstresses convey a sense of nostalgia woven in our common collective history.
Martin Messier doesn’t sew : he resuscitates old Singers put asleep years ago in order to release, in some magical ways, the luminous and sonorous presence of the past. He carries his public in a dreamlike universe where each machine, as singular subject, is magnified. After years of silence, Sewing Machine Orchestra is giving speech to these surviving objects of the industrial era. (video HERE)
Who knew vintage sewing machines could inspire such diverse works of art?!