My attraction to the Free Wall is that it is forever changing (or as Freeplay says, “it never rests”). Here is what it looked like on Sunday: The east wall of Olympia Film Society / Capitol Theatre became a public … Continue reading →
Evan (Freeplay) worked on this cardboard version of a dumpster in the alley; later, the Raccoon Collective marched with it in the POTS parade. Now I want a cardboard play dumpster to do some dumpster diving theatrics with, wonder what … Continue reading →
The Free Wall looked like this the other day. (if I was the documentary type, I would tell you the date and time, but I don’t remember, and really, I don’t care, I just like noticing the changes). Today at … Continue reading →
Freeplay‘s mural has been joined by another cool wheat paste stencil; I don’t know who the artist is nor the title, but I love it. … Continue reading →
I was in Salem, OR on Saturday, and from a distance, this tree looked really fascinating, made me think about large scale artwork, incorporating the natural and the unnatural, plotting about more temporary public art installation possibilities. I saw this … Continue reading →
I found out the name and artist of the above wheat paste on the Raccoon Collective Blog: “A Different Sort of Utility” by Freeplay. And it is not a rubbing; he applies paint to the manhole covers, and then places … Continue reading →
The Olympia Free Wall is in the alley on Washington St between 4th and 5th Ave, which is the north side of the Capitol Theatre Building; my studio is on the west side of the buidling, so I check it … Continue reading →
